House Of Blues Las Vegas 20th Anniversary

STP Live in Las Vegas, August 12, 1999.

Today marks the 20th anniversary of Stone Temple Pilots’ well-known show at the House Of Blues in Las Vegas on August 12, 1999. The show was recorded for MTV Spankin’ Live and parts of it were aired shortly after the concert in a tumultuous year for the band that ended with Scott Weiland behind bars.

Scott had spent the first half of 1998 as a solo artist touring his ’12 Bar Blues’ album, admittedly spiraling more and more out of control on heroin and cocaine as the tour went on, until his very public May 31 arrest in New York City. The tour was over. The solo career was over – for a while. He went off to Rehab.

STP reunited in January ’99 with a sober Scott and started writing and rehearsing for their next album. They were cautiously hopeful at the start, playing an unannounced invitation-only show at the Viper Room on March 16 to let the world know the band was back together. However, the work on ‘No.4’ stopped and restarted several times as Scott fell and got back up again.

STP was finally finishing the recording of the album over the summer when Scott overdosed on heroin on the 7th of July. It was near-fatal and he was hospitalized and detoxed in rehab. Surprisingly, STP played an unannounced 7-song set at the Dragonfly in Hollywood just ten days later on the 17th.

The overdose and hospitalization were a violation of his probation on a 1997 possession conviction and Scott had to appear in Judge Larry Paul Fidler’s Los Angeles County courtroom early in the morning of August 13.

Despite Scott’s legal issues, STP played the House Of Blues in Las Vegas on August 12, for Miller Genuine Draft’s “Blind Date” series, in which contest winners are taken to shows by surprise performers.

Dean DeLeo remembers the look on Weiland’s face at the final rehearsal: “It was obvious what was going through the guy’s mind. He was a wreck, and it takes a lot for Scott to look like a wreck. We threw the crew out of the rehearsal room and said, ‘Is there anything you want to say? Can we do anything?’ He just goes, ‘I can’t think of three people I’d rather be with on my last night of freedom.'”

Rolling Stone Magazine

Las Vegas 8/12/99 Set List:

  • Crackerman
  • Meatplow
  • Vasoline
  • Silvergun Superman
  • Tumble In The Rough
  • Creep (Acoustic)
  • Dancing Days (Acoustic)
  • Pretty Penny (Acoustic)
  • Trippin’ On A Hole In A Paper Heart
  • Plush
  • Down
  • No Way Out
  • Interstate Love Song
  • Unglued
  • Dead and Bloated
  • Big Bang Baby
  • Sex Type Thing
  • Piece Of Pie

At the time, there was only one fan review submitted to Below Empty. Jason said:

“Epic, what a great show. Tenacious D was booed off stage as no one really knew who or what was going on at that time. We were flown in from all accross the country and had rooms at Mandalay Bay. Miller provided free beer for everyone, a bucket full in our rooms, several at the pre party at RA followed by 5 beers at the show. One of the highlites was the parade of chaos as they walked us from RA to the House Of Blues. Over 1000 drunk people walking the tunnel from hotel to hotel had to be one heck of a sight.”

Jason, review on Below Empty

The day after the Las Vegas show, Scott was sentenced to a year in jail, of which he served 140 days before being released in January 2000. His time there has been expertly chronicled by David Fricke in the Rolling Stone article ‘The Needle & the Damage Done’ a year later.

Here’s the most complete YouTube video with recordings of this show:

Director Mark Racco uploaded unseen footage of the band arriving in Las Vegas and the song ‘Dancing Days’ on his YouTube channel in 2010:

Scott Weiland’s “Contraband Poetry” (2004)

Back in 2004, a few weeks before RCA Records released Velvet Revolver’s debut album ‘Contraband’, popular peer-to-peer filesharing networks were flooded with audio files that had names of songs from the album. Everyone who downloaded them got a little surprise: this was definitely Scott Weiland’s voice, but the music didn’t sound anything like the Velvet Revolver songs that we knew then.

It was actually a strategy for record labels and big name artist management at the time to flood the internet with fake files, to make it virtually impossible to download illegal copies of the real thing once the album ‘leaked’. Keep in mind that in 2004 there were no valid online platforms to purchase or stream digital music legally like there are today. People bought CD’s. And if you wanted mp3’s, you had to rip them from your discs or download them from sources like Kazaa and Gnutella.

The “Contraband Poetry” was produced and recorded at Lavish Studios by Scott Weiland (vocals), Douglas Grean (keyboards, programming, guitar) and Michael Weiland (guitar, bass). The six recordings, initially posted as loops with different random running times, were never included on any commercial release.

The fragments are:

  • “My Thoughts Are All Diseased” (1:18)
  • “You Pushed My Buttons” (1:36)
  • “On A Cold Winter’s Night” (2:54)
  • “You Give Me Mixed Messages” (0:40)
  • “On A Cold Winter’s Night” (2:54)
  • “If I Were A Woman” (0:34)

Lyrics and YouTube links are posted below:

“My Thoughts Are All Diseased” (1:18)

My thoughts are all diseased
I carry them all like cancer
they spread like syphilis
and they’re sold like cigarettes
and then judged like heretics

Burn, witch, burn!
You’re a God of men
A nothing, a void
I need a way out now
There is no way out

Give my life to save my children
But need to live for them to thrive

Is happiness really a warm gun, or warm rum?

“You Pushed My Buttons” (1:36)

You pushed my buttons
I pushed the steel throught my skin
I’m under siege, the war begins

You take my rights, I’m at the brink
We attack, we bleed
I hate the hate, that war has caused

Only love can stop it now.

But fear the seven nation army bent on destruction
and it knows no fear
and it knows no fear
and it knows no fear
and it knows no fear

“On A Cold Winter’s Night” (2:54)

On A Cold Winters Night
I Lost My Soul
And I Try
To Justify
All Those Who Die
In The Name Of Him
And His Flag

Hmmmm
Hmmmm
Hmmmm
Hmmmm

You Got To Know It’s Coming
You Got To Know It’s Coming
You Got To Know It’s Coming Down

“You Give Me Mixed Messages” (0:40)

You give me mixed messages
My broken heart is stitched together

I’m strung out on you
Ripped, wrecked, roped and hung
Blowing in the wind

The representative flag of the United States of Altered Consciousness

“Money Owns Money” (0:32)

Money owns money
Used to own dreams
First class piece of journalist me
Don’t know ‘m self
Don’t know ‘s name
The gist shipped and back off to the warfront again

“If I Were A Woman” (0:34)

If I were a woman, I’d be a Jezebel Junkie
And told the nuns that washed me clean of all of my sins:

I’d give my life
to the lord Jesus Christ
Or maybe have a child
And then meet myself
in the mirror again”

Scott & Eric’s “2 Meter Sessie”

I just recently found out that the February 26, 1993 performance for “2 Meter Sessies” (a 90’s tv show in The Netherlands) is the same as the one for “Countdown Cafe” (radio show). I had been looking for years for a separate set of ‘Creep’ and ‘Plush’ from the latter show, but was unable to find it. Now I know why.

Also found out something even more interesting. This session was recorded when Scott and Eric were on a promotional tour of Europe, the band was not touring there at that time. There’s more than a handful related European music magazine interviews with either Eric or Scott or both, none with Robert or Dean.

Now about this “2 Meter Sessies” performance, I have never been able to find video footage, even though I know it has aired locally back in 1993. It must exist on some Dutch person’s old VHS tapes from ’93.

I read about it again in an article from a Dutch magazine Aardschok Metal Hammer (full article here). Eric says:

AMH: You also did an acoustic performance for ‘Countdown Cafe’.

Eric: “Yeah, that was fun. I played guitar instead of drums. A song like ‘Plush’ was written on acoustic and it’s always refreshing to be able to play a song for people in its original form. If it sounds good on acoustic, it will sound good through amps as well. It can be quite different the other way around. I love Ministry, but feel that any one of their songs won’t have the same effect when it’s done acoustically.”

https://belowempty.com/articles.php?p=1993&s=story&id=117

I quickly looked up the audio recordings from this performance. And immediately I noticed something that totally went unnoticed before: The guitar. It’s not Dean’s style of playing. Not Robert’s. Hell, even some of the chords are not totally right. But it’s Scott singing. And also Scott singing the backing vocal overdubs usually sung by Rob (on ‘ Creep’). I Still have to check out the details of the guitar work on Creep. Must be Eric also.

Check out the performance of ‘Plush’ and ‘Creep’ here:

All in all something worth mentioning on here. What do you guys think?